How much I could’ve learned from him! I felt like I didn’t deserve to take tools and materials from his collection to call my own, while also feeling like this was a chance to let his apparent love for the craft live on through me. Seeing every nook and cranny packed with years and years’ worth of supplies made me sad that I didn’t know this man personally. I remember wandering around his studio feeling a huge mix of emotions. I stumbled upon an estate sale one weekend-of an unnamed, deceased stained-glass artist. Photo courtesy of Eyebobsĭo you feel a connection to the tradition of glass-working? Since meeting her a year ago, I visit a couple times a month to stock up on sheets of glass and always end up picking her brain about something. She has a huge glass collection and a wealth of knowledge to share. On a mission to acquire everything I’d need, I met a woman through Craigslist who has been working with stained glasses for two decades. I definitely felt in over my head after seeing how many tools and how much space is required. I bought one of her old glass grinders and a couple pairs of pliers, and she sent me with a long list of things I’d need to get started. When I decided to try making stained glass at home, after taking the workshop, the teacher invited me to her studio. “Penta,” in gold ombre, measures 10 by 1.5 inches (not including chain length).The amber waves of “Boho” recall the 1970s.All pieces are shipped with hanging hardware included. Curves and counter-curves meet in “Dry River,” which measures 12 by 12 inches (not including the chain length).“Tilted,” in amber-honey, measures 9 by 2.25 inches (not including chain length).I’m not sure I’ll ever get to a point of using purple that’s one I really struggle with liking. For a long time, it was a color that I’d only use sparingly, or avoid completely. It might sound silly, but I’ve only recently started to work with the color green.
#Real stained glass design colorado windows
I spend a lot of time moving small samples of glass around in my studio windows before landing on a color scheme, and I enjoy using multiple tints and shades of one hue to build subtle contrast. Traditional stained glass uses a very wide range of color-sometimes the entire spectrum in one piece-but too many colors in one piece is very overwhelming for me. I’m cautious of color and respect its power.
I don’t think about color until I’m out of my sketchbook. I wouldn’t describe my home as perfectly modern by any means, but I am particular about the aesthetic feeling fresh. While working on a new design, I always ask myself, “Would I proudly display this in my own home?” If the answer is no, then I scrap it. I’m constantly seeing new shapes in nature, or on my cereal box, that I want to experiment with. I live and breathe through my sketchbook-I play around with forms until a design feels balanced, and not necessarily in a symmetrical sense. A lot of my designs are monochromatic or involve an intentional color palette.
I would describe my style as minimalist with clean lines-an uncluttered, uncomplicated feel. Because I focus exclusively on hangings that are not permanently installed, my designs are not limited to filling an existing space. Hannah Hazel: Most of us know stained glass as an antique art form found in churches or cathedrals: large, rectangular panels with colorful, intricate designs based on realistic subjects, or traditional florals combined with geometric backgrounds in a symmetrical layout.Īs opposed to starting with a rectangle and filling it with a design, I like to create illustrations that ignore those parameters. Photo courtesy of Hannah Hazelĥ280 Home: How do you transform stained glass into something that speaks to a modern audience? Their specialist service is available to all our branches sho whether you are in Bristol or Penzance we can help with your stained glass repair.“Loom,” in sea green, measures 10 by 6 inches (not including chain length). Our Truro branch is the hub for all things leaded glass design and holds stock of coloured glass, lead and glass cutters. There are other options which may work for your particular setting and we are very happy to discuss and advise you with any questions you may have regarding stained glass window repairs. Leaded designs can sometimes be incorporated into sealed, double glazed units but the overall efficiency of the unit may be compromised due to the nature of the stained glass design. The repair of these traditional designs, made up of individual pieces of glass fixed together with lead, is an expensive and time consuming process. Our skilled team can repair this type of window glass in small door and larger window panels. Traditional stained glass windows or leaded lights can often be found in religious settings and older properties.
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